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| Sawdust | 
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| List Price: $13.98
Buy New: $5.38
You Save: $8.60 (62%)
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Avg. Customer Rating:  (based on 51 reviews)
Sales Rank: 453
Category: Music
Artist: The Killers
Publisher: Island
Studio: Island
Manufacturer: Island
Label: Island
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 001022602
UPC: 602517495753
EAN: 0602517495753
ASIN: B000WCDI5K
Release Date: November 13, 2007
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Tranquilize | | • | Shadowplay | | • | All The Pretty Faces | | • | Leave The Bourbon On The Shelf | | • | Sweet Talk | | • | Under The Gun | | • | Where The White Boys Dance | | • | Show You How | | • | Move Away | | • | Glamorous Indie Rock and Roll | | • | Who Let You Go? | | • | The Ballad of Michael Valentine | | • | Ruby, Don't Take Your Love To Town | | • | Daddy's Eyes | | • | Sam's Town (Abbey Road Version) | | • | Romeo and Juliet | | • | Mr. Brightside (Jacques Lu Cont's Thin White Duke Remix) |
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| Editorial Reviews:
Amazon.com
With only two studio releases behind them, it might surprise some to hear that the Killers had enough material to release a b-sides and rarities CD only five years after forming, but this is definitely no all-filler/no-killer collection, instead containing a mittful of legitimately strong and worthwhile songs. There are four never-before-released Killer songs on Sawdust, including "Tranquilize," featuring rock legend Lou Reed on half of the vocals, a number that is filled with a Queen-affected operatic touch. The previously unreleased "Shadowplay"--a Joy Division cover--unfortunately pales compared to the original, while "Leave Your Bourbon at the Door" is easily the summit of the CD; a longtime live favorite, the song's despair and urgency is a must-have for any Killer fan. Also noteworthy is an outtake from the Hot Fuss sessions called "Under the Gun," a driving melody with a memorable chorus that feels like a Killers classic. Lesser-known tracks gathered together on this compilation include "Move Away"--first heard on the Spiderman 3 soundtrack--which is straight-up U2-circa-Vertigo era, but still exciting to listen to. Some previously released b-sides are cover tunes that provide musical whimsy, but not much more: the trad-country "Ruby, Don't Take Your Love to Town," which was made famous by Kenny Rogers, while the impassioned "Romeo and Juliet" tune--written by Mark Knopfler of Dire Straits fame--is nearly mimicked by Flowers, and serves little more purpose than providing homage to a wonderfully written melody and tale. --Denise Sheppard
Album Description
Sawdust includes "All The Pretty Faces" (which was the b-side of "When You Were Young"); two movie soundtrack tunes, "Shadowplay" (a Joy Division cover from Control, Anton Corbijn's biopic of Ian Curtis) and "Move Away" (from Spiderman 3); as well as a cover of Kenny Rogers & The First Edition's "Ruby, Don't Take Your Love To Town" (written by Mel Tillis) The collection will also contain songs which weren't completed for Hot Fuss and Sam's Town. The Killers recently went back into the studio to finish the tracks, including "Tranquilize" featuring Rock & Roll Hall of Famer Lou Reed.
Album Description
Import pressing of the Las Vegas band's 2007 collection of B-sides and rarities includes one bonus track: 'Change Your Mind'. Pulled from singles and import releases, Sawdust also features a pair of new cuts: 'Shadowplay' (their cover of the Joy Division track, pulled from the Control soundtrack) plus 'Tranquilize', their duet with Lou Reed which is the first single pulled from Sawdust. Island.
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| Customer Reviews: Read 46 more reviews...
 You don't have it yet?! July 2, 2008
1 out of 1 found this review helpful
If you are a Killers fan or a fan of music in general then you have to buy this album it is amazing! The compilation of different sounds on this album is enough to buy it just to hear their range. My suggestion is that you quit reading this review and buy it right now:) No,Seriously.
Sawdust Review June 17, 2008
1 out of 1 found this review helpful
Overall, this album has been extrodinary! Expecially the new songs stand out veru well, and I don't quite get why it is The Killers least bought Album. i think This, for sure, is the Kilelrs least-rock album, with more of a poppy, synth style for them.
Track List:
1. Tranquilize
This song is very different from the Killers normal songs. First of all, it features the songwriter/singer Loue Reed. It is very strange, almost as if they are talking. It is a great song, overall. All there voices blended together makes a beautiful sound. Another weird thing about this song, is that at the end of the first chorus, Children sing around four lines of words. This song is great, It won an Award for "Best Song" in NME 2008.
2. Shadowplay
This song sounds very 80's pop with the drums, which makes it interesting for The Killers to play. They did a cover of Joy Division's Shadowplay. In my opinion, The Killers made it at least 10 times better! It sounds so much more upbeat and rock! The guitar really makes the song in the third verse, when there are three different parts running through eachother, that really makes the song to me. The Singers voice sounds strange, as if it was dulled down, to seem creepier or something, but it just makes the song better! I love this song, and think it's one of the best songs on the album. But then again, i think at least 7 of them are the best on the album.
3. All The Pretty Faces
This song is so exciting! I think this is one of the best on the albums to! First there is soft synth, then the guitar plays slowly, to begin the song, then the drums come in, and everything is perfect by the time Brandon starts singing "Help me out, I need it!" over and over. I think the song is truelly PERFECT until the chorus comes along, and in my opion, ruins pretty much the whole song. The chorus isn't strong at all, I really don't like it, it doesn't match with the rest of the song. But then when it's over, it conects again by saying "I don't feel like, I don't feel like, I Don't feel like loving you." and it all fits together again. This song is AMAZING, except for the chorus! :)
4. Leave The Bourbon on The Shelf
As if right now, this song is my favorite song. In the beginning it sounds like your in the garage actually listening to the band, which is awesome, and then the guitar starts and the song sounds oddly familiar. Ten when Brandon starts singing, his voice is muffled or radio-ized or something, and it's amazing. Then when he gets to the chorus, his voice gets a little less muffled, and then another time it goes completely normal. The song is so great, and it's so upbeat, and garagey. This song is really good for when you need comforting. This song always cheers me up! at the very end, everything is stopped except his voice, which makes it fel like your at a concert
5. Sweet Talk
This is, I think, still my altime favorite song on this album. It's by far the most poppy song of ALL THEIR SONGS. it has synth through about the entire song, and BRandon sings very highly, and he does it with no struggles like the way his voice sounded in Sam's Town, which I thought, put a character in him, and made all the songs better. THe lyrics in this song are VERY goos. the first fourt lines
"Lift me up on my honor,
take me over this spell
Get this weight off my shoulders,
I've carried it well"
This song is the best. I was my favorite song for almost a month which is a REALLY long time for me. :) It sounds nothing like the killers to me, almost like a different band. But I love it sooooooo much
6. Under THe Gun
Another AWESOME SONG! I beleive this song was released before on Hot Fuss's Limited edition, along with Glamorous Indie rock and roll. This song does sound just like Hot Fuss style, if you liked that. The song just basically reminds me of all the other songs on Hot Fuss, but defenitly the ones up there with Mr. Brightside & All These Things That I've Done.
7. Where The White Boys Dance
This is NOT one of my favorites. The song is strange check out the first few lyrics
"Take me to the place where the white boys dance
Take me to the place where they run and play
my baby is gone
you might have a chance
just take me to the place where the white boys dance"
I admit, other then the chorus, this song could be good. But the played it really low on the chorus, which screwed the whole thing up. Not the WORST song on sawdust, but one of them. -
8. Show You How
This song is great! The beginning is like a girl checking her messeges on her cell phone, and then the lead vocolist, Brandon Flowers leaves her a messege, singing, then all of a sudden the messed up phone style music, changes to reality. nd he says "She told me sweet thing...." and goes on talking about the girl he left the messege too. I think this song is very unique and personally I Love it. Although, it's a bit short. 2:28
9. Move Away
This song was featured on spider Man 3. THe guitar style reminds me of Barracuda By Heart, whenver i hear it. This song reminds me of Sam's Town. It's pretty good, it's on my medium side of good n' bad. I don't ahve much to say about this song, there just isn't much to say.
10. Glamorous Ibdie Rock And Roll
The lyrics suck, I'll tell you that. But the song, like the last one, move away, is on my medium side. It's pretty boring with the chorus holding long notes, and then waiting like the same amount of time as the note, with all quiet, and then it's starts again. This song is good, but not on the GREAT side. It gets pretty good when the enter the third verse though.
11.Who Let You Go?
This song is very repetetive. the chorus is just Who Let You go? a million times, so this is on my medium side again. I just wanted to let you know, Where the white boys dance is lower then medium. This song is strangely familiar, it makes you think you've heard it before, when you really haven't. I think a LOT of songs sound like this.
12. The Ballad of Michael Valentine
THis is one of my favorites on the album. I'm suprised it's not popular, because I love it. THere is a little intro that is very kewwlystrange. Then when it changes to the verse, it gets even better. It's about traveling, but he s telling a story of Michael Valentine, as he mentions is the beginning. This song is real edgy. In the chorus he states I've got The BUZZ, like Marlon Brando. When he says Buzz, it almost sounds like he is high or something, because it's a little strange and whackey. lol. It's true it's very different, maybe he wants it to be his new style of singing or something
13. Ruby, Don't Take Yourr Love To Town
This song, i'm sad to say, is in my opinion the worst killer song of all. It is farm/western/hillbilly style, which frustrates me. They redid this song, so it's boring. The song is dull and boring and if you hate the killers,you would probably be laughing over this song. It's not HORRIBLE, but i think it is yet the worst ever song by the killers, and it is a dissapointment.
14.Daddy's Eyes
This song is very rockish. Lots of guitar, and again it sounds familiar. This song for me is in between medium and good. It was written for his newborn son, Ammon Richard Flowers, born July 14, 2007. He also talks about his wife in the song. This song is a classic, it's pretty good to listen to.
15. Sam's Town (Abbey Road Version)
This song is from the album Sam's Town, if you've heard it. If you thought that song was too loud, or crazy for you, you will loooove this version.It's all in piano, which makes it much more peaceful. I perfer the regular version of sam's town, but i still love this song!
16. Romeo & Juliet
If you liked the last song, you will probably like this song as well. It's quiet but, beautiful. I love this song, one of the best on sawdust, to me. The old version by the Dire Straits is wonderful too.
17. Mr. Brightside (Remix)
This is perferably annoying to me, because the intro is 2 minutes long, and everything is so slow, but at the end, there is a song called "The Captain" hidden, which is great!
This album is amazing! My favorite by the killers, ?I? wonder why no-one will give this album a chance!?!?!?! YOU SHOULD!!
An example of their skill June 9, 2008
1 out of 1 found this review helpful
This album shows the different varieties that the Killers have under their belt. Romeo and Juliet is reminicent of Bob Dylan, Shadowplay kind of sounds like She Wants Revenge (although I see the music video in my head every single time I hear this song)and an interesting remake of their hit song Mr. Brightside. I almost believe that this album should have been a major release. Flowers is the new Freddy Mercury, minus the jock jams.
I'd buy it again.
 Nothing New May 18, 2008
0 out of 1 found this review helpful
The boys offer us a rehash of earlier songs with different productions, some personal stuff, just nothing that outstanding. If you love the Killers get it, if not save your ducats.
More than pastiche May 10, 2008
3 out of 3 found this review helpful
For a collection of B-sides, bonus tracks, leftovers and covers this is surprisingly good. Unsurprisingly, it proceeds in pretty much the same postmodern mode The Killers established so successfully with their first two albums: an engaging fusion of contemporary pop-rock and 80s references that shouldn't work but almost always does. You can hear The Cure, Duran Duran, U2 and even Queen in these tracks. "Shadowplay" sounds like The Stone Roses doing a minor-key reworking of the theme from "The Banana Splits". Sometimes homage even crosses over into the real thing, as in the opener, "Tranquilize", where frontman Flowers does his best to sound like Lou Reed - then the real Lou Reed turns up. There are some gems here, such as "Leave the Bourbon On the Shelf" (crank it up, it's great loud) which seems to be another in the 'Jennifer' cycle, the masterfully ambiguous "Where The White Boys Dance" with its superb grinding baseline and early 80s funk guitar, the angsty "All the Pretty Faces", and the beautiful "Sweet Talk". The Killers work because they're about more than pastiche. Even when they're apparently goofing around or being completely melodramatic (which is often) the songs are beautifully crafted, lyrically interesting, informed by an intriguingly ambiguous sexuality, and grounded in real emotional experiences - often dark ones - that are recognizably our own. In the end, the emotional landscape feels as familiar as it sounds. That's why it works.
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